Wagnerism: Art and Politics in the Shadow of Music

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• 3.0 out of 5 stars from George Goldberg -- Wagner and the Jews : Alex Ross is music critic for the New Yorker. His previous books, which I have read with pleasure, are about music. I assumed this book, with Wagner in its title, would also be about music – specifically, about the music of Richard Wagner and its influence on composers who flourished after him. For example, there is a considerable literature on Wagner’s influence on Puccini and Debussy. In this book, Puccini is just mentioned a couple of times and Debussy is allotted one paragraph noting the relationship between his Pelleas and Tristan. Chapter after chapter, however, is devoted to Wagner and anti-Semitism, Wagner and Jews (Gustav Mahler conducted his operas, Theodore Herzl attended every performance of them he could), and of course Wagner and Hitler. There is in fact much more about Hitler in this book than there is about any of the composers who came after Wagner. In fact, there is very little about music in this book, it is mostly a political tract – a political tract written by a music critic. ( Reviewed in the United States on September 21, 2020 )
• 2.0 out of 5 stars from Jehoshephat -- scatter-shot organization and treatment : Alex Ross's work is usually deeply informed and deeply thoughtful. This is much less so. The treatment of the music (including superficial plot summaries) consists largely of quote after quote after quote after quote from contemporaneous writers, sometimes of later ones as well. As a result, the book is mostly context and not much original thought on Ross's part. If you want to read an excellent review, try Jed Perl's "The Cults of Wagner" in the October 8, 2020, issue of the New York Review of Books, pp. 17-19. He really nails it. I'm normally a huge fan of Alex Ross, and I'm sure he has an extraordinary book about Wagner somewhere in his mind and heart, but this ain't it. ( Reviewed in the United States on September 22, 2020 )
• from C. M Mills -- TOP 500 REVIEWER : Explore the dark genius Richard Wagner and his artistic legacy in music, art, film and literature ( 5.0 out of 5 stars )
• 4.0 out of 5 stars from Philoctetes -- The cult of Wagner is mapped with magisterial erudition by Ross : Alex Ross, one of the most celebrated writers on music nowadays, has delivered an enthralling tome, several hundred pages long, on the subject of Wagnerism. Not on Wagner's music, although there's plenty of detail on that too, or the composers who were touched by his influence, but rather on how the idea of Wagner seeped into everything else, from politics to prognostications of destiny, from high literature to the trashiest erotica, becoming a beacon of inspiration for just about everybody, on all sides, for all purposes. Not so much the empty signifier as the protean signifier. Wagnerism just kept on (keeps on) morphing to find new converts and uses. Ross has dug up evidence of it from a simply dizzying array of sources and contexts, and if there's anything he's neglected to mention then I don't need to know. The book is already heavy enough, but not too heavy or specialised to read. ( Reviewed in the United Kingdom on October 26, 2020 )
• 5.0 out of 5 stars from Jane Ennis -- Wagnerism : One of the best examinations of Wagner and his influence I have read. It mainly della with Wagner's influence on literature and the visual arts, discussing in detail the works of Thomas Mann, James Joyce, T.S. Eliot, Virginia Woolf, Willa Cather.....the list is endless. He also discusses Wagner's influence on cinema. He investigates in great detail the disastrous association of Wagner with Hitler, and how his grandsons, Wieland and Wolfgang, tried to repair the reputation of Bayreuth when the Festival re-opened in 1951. I especially liked tge discussion of Regietheater productions, starting with Patrice Chereau's Centenary RING in 1976. Highly recommened. ( Reviewed in the United Kingdom on October 28, 2020 )
• 5.0 out of 5 stars from Douglas R Findlay-Shirras -- It all depends on whether you appreciate Wagner! : I've only just started this book and am only about 100 pages in to it but so far so good! I would have to say that it's a pretty erudite tome and takes a lot of getting used to but having seen and or listened to a lot of Wagner in my time I'm finding it very interesting. Mid to late 19th Centuary European geopolitical history.is not for the feint hearted and is the background to Wagner's life. So far it is highly recommended. ( Reviewed in the United Kingdom on October 24, 2020 )
• 5.0 out of 5 stars from Mister Horn -- An unimaginable level of detail !!! : An extraordinary and often microscopic level of detail, leading the reader through an enlightening journey of Wagner's influences on culture past and present. The connections that were drawn throughout the book will often surprise you. A tome of epic importance. ( Reviewed in the United Kingdom on November 16, 2020 )
• 4.0 out of 5 stars from Ian -- Puts Wagner back where he belongs : This is a dense, comprehensive yet ultimately readable survey which restores Wagner and rescues him from the Nazis. Listening to Parsifal whilst reading, it convinces you that sometimes you really do need to separate the creator from the work of art, and appreciate the art for what it is. ( Reviewed in the United Kingdom on December 30, 2020 )

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